鍾汶珊
鍾汶珊
CHUNG Man Shan
Previous Works
CHUNG Man Shan

Angela Chung’s works capture the invisible in relationships between self, family and community. Starting from intimate relationships, she traces back to invisible intention and influences from surroundings, which directly reveals one’s existence. Photograph and jewellery serve as the main tools for her to capture the invisible happenings around her, sometimes combined with editorial designs and writings. Greatly influenced by Christianity, Angela’s work is a state of self-relief, change and spiritual progress. She spends days on the same issue: starting with observation, she communicates with her surroundings and herself, at the same time recording psychological changes in response to her observations.

鍾汶珊以身邊親密的人事物作起點,探索生活中隱密的關係,並以攝影和珠寶設計作為創作媒介。她受宗教影響,作品於是成為一種精神調劑及輔導,能夠釋放心中隱密之處。她利用長期的觀察和溝通,以心理上的改變作為作品的主軸。

Red String

2018

Brass, red string, needles

“I call upon all persons here present to witness that I, _______ , do take thee, __________, to be my lawful wedded wife.”

2018 Vintage Handbook

2018

Laser print on matt paper

18 × 26 cm

‘Every time you spend money,
you’re casting a vote for the kind of world you want.’ — Anna Lappe
Unconsciously being a participant of the materialistic world, the handbook provides a way out of the vicious cycle.

Spring

2018

Laser print on paper

18 × 22 cm

This book is an exploration of Chung Man Shan to her childhood in Lek Yuen. Lek Yuen, as the first public estate community constructed in Shatin was full of pictures before her family separate apart . She recreates the path which she went through with her dad. Her work expands from her childhood to the situation of social interactions nowadays.