蔡思行
蔡思行
CHOI Stephanie
Previous Works
CHOI Stephanie

Stephanie Choi is interested in the practice of graphic and editorial design. She believes graphics and editorials are higher than producing information that is visually appealing. It is about how the visual communicators correspond to inform or inspire by words, images, and graphics. It is about extending one’s idea to the public and hopefully to make an impact on the community we live in. Stephanie often takes references from novelists, sociologists, and designers who share the same passion. She aims to elaborate on more circumstances she uncovers through the day-to-day surroundings with her visual languages.

蔡思行對平面設計和編輯設計別具興趣。對她而言,圖像與編輯的目的不至於產生視覺吸引力,更是視覺傳播者對文字、圖像與圖形的啟發和回應。同時,視覺傳播者能夠將個人想法擴展至公眾層面,渴望藉此對社會產生正面影響。

蔡思行經常以不同小說家、社會學家以及擁有相同理念的設計師作為參考對象,她希望以視覺語言闡述日常的各樣情況。

Rachel Believes In Me – Saturday OK

2018

Music Video

Size variable

All video footages are free for personal and commercial use.
Saturday Ok by Rachel Believes in Me
The Album Sea of Days / Dark Side of the Mix EP
Licensed to YouTube by CD Baby
Music Video presented by Choi Stephanie.
Publish in May, 2018 All rights reserved.

荳蒄花事,有關女校青春少女之事。

2018

Editorial and graphic

17.6 × 25 cm, 70 pages

《荳蒄花事,有關女校青春少女之事》一書兩冊,主題為女校。作為一個曾就讀十二年女校的女生,就讀大學後才發現外界原來對女校有頗多揣測與誤解,於是便策劃此書,希望讀者會對女校有一點新的見解。荳蒄花事記錄著一些有關女校的資料插集,以及九位來自不同女校,有著不同經歷的女生訪問。

《外界點睇女校先》為附錄,記錄著有關女校的四條問題,後由不同男女校/男校的男女生回答。附錄設於女校資料搜集後,在讀者閱讀九位女生的故事前,我想讀者先了解大眾一般對女校有甚麼誤解,然後再由九位女生令讀者重新思考他們的想法。

No Happy Ending

2018

Photozine

176 × 250 mm

This Photozine is an independent photozine published by 21 young photographers and visual artists from the Academy of Visual Arts, Hong Kong Baptist University, Hong Kong. Working on themes of ‘accident’ and ‘stereotype/ anti-stereotype’. Exhibited in Tai Kwun Contemporary Booked Book Fair in 2018.

Experimental Gradient

2017

Screen printed product

200 × 200 mm

Redesign of the album “A Head Full of Dreams” by Coldplay with screen printed graphics and lyrics at the back. To challenge the differences in gradient colors between digital displays and screen printed graphics.

悲傷的薯角

2018

Animated Graphic

Size Variable

人之所以會不開心,因為太著緊眼前的事物,當你這一刻很煩惱時,其實你有沒有想過,無論是白堊紀的恐龍,古代的原始人,二戰時期的士兵,或是得不到溫飽的非洲人,同樣面對種種千千萬萬的煩惱,這個世界是無限大,亦同時是無限小。我們只是一條很長的時間軸上的一粒微塵,我們開心不重要,不開心也不重要,因為我們本身也是不重要的。 ——CapTV許腎獨白【悲傷的薯角】