陳芷晴
Previous Works
CHAN Tsz Ching

Chan Tsz Ching (Charlotte) specializes in Photography. Her photographic images are usually monochromatic. Chan is usually inspired by the silhouette of objects. The imagery in black and white helps to place emphasis on the silhouette of the objects being captured and allows the audience to travel the silhouette with their eyes. She has previously done several works which involve gender issues. She is concerned about minorities such as the LGBT community and the intersex group as they are being isolated in society. Chan also explores the topics of sexuality and androgyny in her photography projects. She believes in the fluidity of sexuality. Despite her interests in gender issues and feminism, Chan refuses to define herself as a feminist as she thinks that feminism is often misinterpreted as anti-men or a reduction of feminine qualities in women.

陳芷晴專注於擇影,她的影像一般都是單色的。陳芷晴經常受事物的輪廓所啟發,而這些黑白的影像有助於觀眾觀察事物的輪廓。她曾做過不少有關性別義題的作品,因為她關注社會中的小眾,例如是同志和跨性別者。陳芷晴於攝影作品中探討性取向和雌雄同體,她認為性取向是流動的。雖然對於性別義題有濃厚的興趣,但陳芷晴認為自己不是女權主義者。

Hair

2018

Photography

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It is no shame of mine; it is no fault of yours.

Spring

2017

Polaroid

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Past is erased, erasure is forgotten.

Middlesex

2018

Photography

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This work is inspired by novel with the same name by Jeffrey Eugenides.

The Three Feminine Sorrows

2018

Photography

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The Three Feminine Sorrows is inspired by a poem written by Dahabo Ali Muse, a young and beautiful Somali woman, describing the tragedy she faced throughout her life.