Honours Project

Cheung Wai Mei (Macy) is interested in observing the environment and the surroundings, like landscapes, nature and objects seen daily, using art as a form to explore the relations between human and the nature within the space. She gets inspirations from the personal feeling and emotions through the changes of the city and those insignificance. Her practice reconsiders the value of those objects, while experimenting the different related materials and approaches to express the idea, and to motivate the idea expression and displaying approach.

Macy is also interested in exploring the possibilities of each media in her creations: The material itself or mixing media, like putting transferring ideas from Chinese painting to a sculpture form. At the same time, She is a detail-oriented person. Her works have shown the details or the fine brush strokes. Apart from the details in the practice, she is recently more concerned about the understanding of life experience within the space of the city within the time changes, and she focuses on expanding the media to communication from inside to outside of the material itself.

張惠媚經常觀察周邊環境,利用藝術的形式探索物體與人在空間之中的情感。

她從個人通過城市的變化和因細微的事物而產生的情感中獲得靈感。不論是材料本身或媒介的混合,她對各種媒介的可能性都深感興趣。而她的創作重新考慮了物件的價值,同時試驗了不同物料,激發其表達思想和展示方法。

張惠媚是一個注重細節的人,最近關注時空的命題:隨著時間的流逝,城市空間亦會產生變化。她渴望擴闊媒介的運用,增加材料之間的互動性和溝通。

Fadeout
色衰粉褪

Ceramics, collected soil from To Kwa Wan, recording
陶瓷、在土瓜灣收集的泥、錄音

Size variable 尺寸不定
2019

Moved away from the old place, old shops and buildings have been demolished, the only thing left is traces and memories of the past.
All the objects are still here, except “us”.

搬走了的舊居,清拆了的舊鋪和建築,留下來是過去的痕跡和記憶。
所有的物件還在,除了「 我們 」。