Living in a modern city, people find it difficult to capture the genuine naturalness that can be experienced in Chinese landscape painting; nevertheless, I want to take this challenge.
Drawing landscape motifs with Chinese ink on the undesirable material of transparent films is a way for me to seek the possibilities of contemporary ink painting. Although I deconstruct and reconstruct the four basic landscape drawing elements – outline, texture stroke, moss dot, and washing – by overlapping a number of pieces of transparent film together, my work is still able to present an antique quality. In addition, the transparency of the material enhances the sense of mystery in my work.

身處在城市中,山水就像一種摸不了、捉不著的東西;然而我卻想捕捉那份寫意隨心的感覺。我將筆墨安置在透明膠膜這種極有限制的物料之上,目的是為當代水墨提供一種可能性。儘管一片片膠膜的重疊把中國傳統山水能從新解構與重構四種基本山水畫元素:勾、皴、點、染,但一絲絲的古意停留在墨跡與筆痕當中。此外,那些膠膜的半透明質感,也為作品加添一種神秘感。

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