WAN Wing Ki, Vicky
尹穎琪

WAN Wing Ki, Vicky practises installation, mixed media, and ceramics.

WAN usually gets inspiration from her surroundings, daily practice, and Japanese philosophy. She believes art is a fragment of a person, in which people can reshape and re-organise. Therefore, her artworks mainly discuss and connect to the concept of self, serendipity, and the community. She is sensitive to emotions of others and herself. She believes her ceramics, as well as the heart-warming texture and down-to-earth character of clay, can tell stories and bring warmth and comfort to the audience.

In 2019, WAN went to Zurich University of the Arts in Switzerland on an exchange programme, majoring in ceramic moulding. Her ceramic works have been exhibited in the Apéro project and joint exhibitions in both Switzerland and Hong Kong.

尹穎琪的創作媒介包括裝置藝術、混合媒體,並多以陶瓷為主。

尹穎琪的作品意念多由周遭事與物、日常練習和日本物哀哲學中獲得啟發。她認為藝術是一個人的碎片,於藝術中能讓人重塑和重組自身,因此其創作主要從自身經歷出發,討論「自我」和「存在」等概念。她敏於觀察他人與自身的情緒,且認為陶土的痕跡往往種下了每個人對於人與事的牽絆。她相信,透過陶泥溫暖的質感和其貼地的特質,能道出故事和帶給觀眾幾分溫暖和慰籍。

在2019年初,尹穎琪於瑞士蘇黎世藝術大學作海外交流,主修陶瓷倒模。另外,她的作品亦曾在蘇黎世和香港的聯展中展出。

Previous Works
If I Die Young
2019

Ceramics, plants

陶瓷、植物

Dimensions variable

尺寸可變

If I Die Young explores the death that gives meaning to life. WAN Wing Ki, Vicky invites the viewers to join her dear plants’ funeral. The work embraces the aesthetics of death and pass their coffins to the next dear.

 

「這是一個葬禮,歡迎請進。」

Moontain
2019

Porcelain

瓷器

Dimensions variable

尺寸可變

‘We share the wave and stone, the balloon and tinfoil, Hong Kong and Switzerland.’

 

「我們分享波浪和石頭,氣球和錫箔紙,香港和瑞士。」

Can’t go back
2018

Acrylic on foam board

發泡膠板丙烯

Set of six, 45 × 45 cm each

Can’t go back illustrates a unique way of communication between individual viewers and objects. By selecting different materials to combine and redefine, WAN Wing Ki, Vicky finds the perfect perception of the manhole cover. By participating in the project The Lonely Arts by Yan Yu, each manhole cover can be taken care and treasured in its own viewpoint by various audiences.

 

《點》描繪了觀察者與對象之間的一種特殊交流方式。通過選擇不同的物料進行組合和重新定義,尹穎琪剛好找到了那一個完美合乎她感知的點。透過參與Yan Yu的《用最溫柔的文字換最孤獨的藝術作品》計劃,各收藏者能按照自己的觀點找到對他們來說角度剛好的點。

 

 *攤位照為Yan Yu所拍攝