YUEN Ming Sze, Mincy
阮明思

YUEN Ming Sze, Mincy believes that people live in the space between reality and illusion.

阮明思相信人活在現實和虛幻之間。

「每當車行駛時,我都被帶着走,時間與空間,我在現實和夢境的中間,模糊不清,我很喜歡這種感覺。看着窗外的景物飛快地擦過,由一件件物件變成一堆不同顏色的線。我站在窗前,從玻璃的反射我看見自己的身影,在這模糊不清的線中看見自己,實實在在的,重疊在線條的中間。

有時候,從夢中醒過來,每當我回想,事情好似真的發生了,有一種似幻似真的感覺,我分不清是夢還是現實。會不會真的有這個虛幻的世界?」

67M

Mixed media
混合媒介

90 × 70 cm, 180 × 80 cm, 90 × 70 cm, 110 × 80 cm

'You look at his back, wandering away, over and over again, as destined in this life. You stood at the head of the road, while he led your eye until disappeared at the corner. His back whispered: Do not follow, Stay. I grew to realise, my emptiness, as if correlated to another back.' – Watching You Go (2009), LUNG Ying-tai.

Life is an act of letting go, and what hurts the most is not having a moment to say goodbye. 67M leaves the viewers in memories, where one would remember 'her'.

「你和他的緣分就是今生今世不斷地在目送他的背影漸行漸遠。你站立在小路的這一端,看着他逐漸消失在小路轉彎的地方,而且,他用背影默默告訴你:不必追。我慢慢地、慢慢地意識到,我的落寞,彷彿和另一個背影有關。」——《目送》(2009)龍應台

離別是一個人目送另一個人,安靜的目送。《67M》創造了一個情境,使觀者能在玻璃的反光中看見「她」的影子,仿彿與我們同在。