YEUNG Tsz King, Beavis
楊子敬

YEUNG Tsz King, Beavis (b. 1996) mainly focuses on ceramics, photography, and graphic design.

To him, simplicity always seems powerful, because of its raw existence, and because of the more explicit linkage between the works and their surroundings. The clear yet essential thinking in between the process is what drives YEUNG to create.

YEUNG studies possibility of expressing subtle emotions from the textures of ceramics. During the discovery of new textures, the process of approaching and transforming had created a dialogue-like relationship between the artist and the clay. By presenting the work in its most raw and essential forms, he is hoping to bring out the humble and subtle beauty in ceramics.

His work Look Right was shown at Sense 99 in 2017.

楊子敬(b. 1996),專注於陶瓷、攝影及平面設計。

對楊子敬而言,簡潔樸素的表象總是那麼鮮明和有力,皆因這種表象以沒有雜音的姿態赤裸裸地呈現在他面前,亦因為這種表象令到空間和作品的關係發揮到淋漓盡致。因此,去除浮塵而剩下的極簡思想,成為他主要的創作的靈感。

楊子敬鑽研由陶瓷的質感帶出細膩及謙卑的情緒之可能性。用泥創作的時候總會有很多不經意的紋路出現,藝術家和粘土之間猶如在過程中創造了一種對話般的關係。他以最原始和基本的形式呈現作品,希望展現出陶瓷中謙遜而微妙的美。

他的作品《Look Right》曾於2017年在「Sense 99」中展出。

The Sea

Ceramic installation
陶瓷裝置

Dimensions variable
尺寸可變

As dwellers on the coast, people are blessed with the cryptic sea. Its fitful ebb and flow grips me especially at the dead of night. Like our society, like our life, like the journey of art creation, this little-known briny is best-known for causing boundless fear and solitude.

'As a ceramicist, every clay I play is an episode of my solo voyage. Despite its sea-like vicissitudes, I still brave each episode, embracing bottomless possibilities.'

海浪規律地拍岸,看似刻板的波動又截然不同,零星地點綴靜謐的午夜。神秘的大海叫人孤獨、恐懼,如生活、如社會、如藝術創作。

「每次我取泥塑型,便成了一個又一個獨自出海的故事。海,變幻莫測,但我依舊期待出航。」