TAM Man Ho
譚敏濠

TAM Man Ho (b. 1997) focuses on media arts, exploring moving images, photography, installation, and mixed media.

TAM's works reflect and question the norms he encounters in his life. He often borrows objects from daily life as his media and reconstructs a sense of space that is different from reality, in order to magnify the absurdities and contradictions in life. TAM values the direct and authentic experience the audience receive from his works, for he thinks the experience is a part of the creative process and it completes the work.

譚敏濠(b. 1997)專注於媒體藝術,涉獵範圍包括錄像、攝影、裝置及混合媒介。

譚敏濠的創作反映並質疑了他在生活中所遇到規則范式。他經常借用現實生活中的物件作為作品媒介,重建與現實不同的空間,放大生活中的荒謬與矛盾。譚敏濠重視觀眾從他的作品中獲得的直接而真實的體驗,因為他認為這種經驗是創作過程的一部分,也使作品完整。

Brave Monument
豐碑

Monitor, camera, model, cement, angle iron
顯示屏、鏡頭、模型、水泥、角鐵

310 × 310 × 170 cm

Sentimental pictures and symbols have always been a part of human society. Brave Monument envisions an insightful blueprint of human society, in which the ugly and undesirable qualities of humanity have been removed, and thereby, we seem to be able to gain faith and drive in our lives.

壯麗而動人的圖像與符號從未離開過人類的生活。《豐碑》企望勾勒一幅人類社會的偉大藍圖,將一切厭惡與違美的事物驅逐到人類視野的邊界外,而由此,我們似乎將獲得純淨的信仰與生命的驅力。