CHEUNG Hui Yue, Kelly
張栩榆

CHEUNG Hui Yue, Kelly works in various media, including painting, photography, and sculpture. The representation of sea waves is an essential element in her works. She continuously seeks her roots in her hometown and explores the local fishing culture in Hong Kong. She creates work that depicts the sea in different ways and techniques, evoking memories from her hometown, and translating her personal emotions into visual languages.

張栩榆以不同媒介創作,包括繪畫、攝影及雕塑。海浪是她作品中不可或缺的元素。她透過創作不斷地在家鄉尋找自己的根源和探索香港本土漁民文化。她創作的作品以不同方法和技術描繪大海,喚起她對家鄉的回憶並將她的個人情感轉化為視覺語言。

Space of Missing
遺缺

Light projection on glass cube
玻璃立方體燈光投影

Glass cube: 30 × 30 × 30 cm
玻璃立方體:30 × 30 × 30 cm

Space of Missing is an installation artwork based on a site in Tap Mun, a semi-permanent shed built by CHEUNG Hui Yue, Kelly's grandfather. The wear and tear structure is where her grandfather and father grew up, and it is still standing today right along the shallow coast of the island. The artwork is inspired by CHEUNG's fading madding memory of the place and her uncertainty of her identities.

CHEUNG Hui Yuee, Kelly took photographs of the shed and projected them as a beacon of light inside a 'condensation glass cube'. The light emerges and disperses through evaporating water.

《遺缺》是一份裝置作品,取材於塔門中一所由張栩榆祖父所建造的半永久性棚屋。這座破舊的建築是她祖父和父親長大的地方,今天它仍然矗立在島上的淺灘上。這件作品的靈感來自張栩榆對這個地方逐漸消失的記憶以及她因這個地方產生對自身身份的疑惑。

張栩榆拍下了棚屋的照片,並把它們轉化成光柱投射在一個「凝結的玻璃立方體」內。光會根據霧水在盒子的流動顯現並分散。