CHAN Cheuk Ki practises analogue photography and graphic design, and recently, she focuses on small metal jewellery. Her works are often about her personal experiences, human relationship, self-expression, and concepts in art.
Digital print on photographic paper
'The fever of unsatisfied longing makes me suffer from worries and sins, but we could never escape from our engagement and desires as human beings.'
CHAN Cheuk Ki immerses herself in self-gratifying emotions while playing the role of a spectator of this sensory-focused, superficial world. She attempts to delve into the carving of humans, which is an invisible but powerful force that drives and modifies the world.
陳焯淇在這個以感覺作主導的膚淺世界中扮演着一個旁觀者的角色，沉醉於自我滿足的情感中。她試圖深入探討人類的烙印 —— 一種無形但強大的力量，驅動並重整着世界。