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In juxtaposing painting and found childhood portraits, this series concretises my perception of my childhood living environment as a kaleidoscopic cityscape.

The blue of denim and cyanotype materialises my yearning toward a bygone era. My perception of childhood relies on a contingent melding of temporality and locality. The real, the verisimilar, and the surreal collapse as one. The past and the present are bridged by the overpass, mediating the internal and the external, the real and the remembered. Perception regenerates from my consciousness wandering between an illusive nostalgia and a melancholic mirage.

 

天橋連接著我對世界的認知。

在牛仔布和氰印的藍色中,牽引著我對過往的愁緒,然而時日飛逝,物是
人非,一切對舊城的愁緒逐漸變質,似是而非。新世界森羅萬象,如夢幻
泡影,我在當中漂泊遊蕩,永不停歇。